CSI: Where is the science?
Forensic science has been catapulted into popular culture through the enormously popular CSI TV series franchise. Beautiful, smart and interesting people swoop on a crime scene and in the next 45 minutes collect the most minute traces of evidence, analyse it, match it to suspects, and finally arrest the perpetrator. The evidence is always overwhelming and the baddie has no alternative but to confess to the crime.
I guess one has to be pretty naïve to think that’s how it really happens. In reality CSI forensics is slow, methodical and hard work. A toxicity test that will take minutes to complete in the show could take several months in a real laboratory. The real equipment bears no resemblence to the hyper-cool halographic examination tools or the amazing imaging equipment that can transform a tiny blurred, oblique image into a perfectly sharp masterpiece.
Yet it appears that there’s even a phenomenon named after this unrealistic idea of forensics: the CSI Effect. And there is some evidence to suggest that it’s not only the public who are taken in by it, but also policemen, prosecutors and jurors – and criminals.
But even in the real world, how scientific is forensis anyway? Popular Mechanics has published an interesting article, CSI Myths: The Shaky Science Behind Forensics, which illustrates that most of it was not developed by scientists but by cops. In a related article, even that gold-standard of forensics, fingerprint matching, is shown to be inaccurate and unscientific.
A 2006 study by the University of Southampton in England asked six veteran fingerprint examiners to study prints taken from actual criminal cases. The experts were not told that they had previously examined the same prints. The researchers’ goal was to determine if contextual information—for example, some prints included a notation that the suspect had already confessed—would affect the results. But the experiment revealed a far more serious problem: The analyses of fingerprint examiners were often inconsistent regardless of context. Only two of the six experts reached the same conclusions on second examination as they had on the first.
The other familiar modalities of ballistics, trace evidence and even biological evidence are also shown to be largely unscientific. This is actually quite shocking.
As one would expect, the closer the techniques are to real science, the more reliable they are. So, for instance, one can have complete confidence in DNA profiling.
But back to the TV show: do the writers not understand how GSM networks work? They continue with the standard old land-line telephone bromide of keeping the fugitive on the line long enough to do a trace. Obviously, as soon as a cell phone attaches to a GSM network its position is known – albeit approximately. No delay – this information is known immediately. So why do they persist with this nonsense?
Zapiro puppet program pleases
I watched the Zapiro “Z-News” puppet program last night. It was roughly produced, some of the voices fell short and the puppetry was rudimentary. But it is a pilot, and there is nothing that proper funding won’t fix.
There are some really funny bits: Thabo singing “I Will Survive” on Idols (“…I will survive, I will survive, … and so on and stuff like that,..”) , Zacob Zuma also on Idols doing a double-header (as it were) singing both “De la Rey” (with shower-head affixed) and “Umshini wam”. The segment with Manto Tshabala performing an operation with beetroot, lemon and garlic is hilarious.
The voices for both Thabo and Jacob are excellent. Helen Zille’s is poor. But generally I enjoyed it and found its good bits far outweighed the poor. Watch it, it’s fun.
This of course follows the cancellation of the show by the SABC on the on the grounds that “South African viewers are not ready for it”. The SABC then went on to cancel a documentary on political satire in South Africa, not once but twice. Luckily, the documentary fell into the hands of the Mail & Guardian, and you can watch it here.
South Africa suffers from a extreme dearth of political satire. It also suffers from a stifling political correctness that causes any criticism of the ANC to attract vicious denunciation. Critics are regularly dubbed counter-revolutionaries, colonialists, cultural imperialists and, the favourite, racists. And given the apartheid history of the country, the racist tag is something that most “white” people want to avoid.
This political correctness is self-reinforcing: the more political criticism and satire is suppressed, the more intolerant the general ANC defender becomes. To the point where it appears that no TV channel will carry political satire. This is very dangerous to the future of democracy in South Africa.
The rise of the comedian in political commentary in the US, has resulted in the majority of young people getting most of their political news and analysis from channels such as Comedy Central. Jon Steward is now a major political force, overshadowing political analysis in the traditional media.
Young people in South Africa need to see that it’s okay to laugh at and criticise their leaders. Only by exposing them to popular political satire will this stultifying political correctness be broken down.
-
Recommended
